How to write social media copy for your music

How to write social media copy for your music

Don’t waste your hard-earned money on ads until you know how to write an effective copy. An effective copy is to your music what a mini skirt is to an endowed damsel, short and attention-grabbing.

Let’s skip the part where I try to sell you the generic facade that I’ve written “thousands” of copies that have brought in millions of dollars for my clients just to get you to stay glued to your screen for the next five minutes. While it is true that I know my onions and I’ve been doing this for a long time, I’m pretty much an avid learner just like you, and I believe there’s more to learn about copywriting regardless of how much you know. In this guide, you will learn about the nitty-gritty of copywriting, how you can upgrade your copywriting skills, and the little tricks you may have been missing all this while.

Are you set? Let’s go!

The purpose of copywriting for musicians

The purpose of copywriting for musicians is to draw listeners closer to an artist’s music/merch (without letting the copy distract them) using social media captions, images, or videos.

How to write social media copy for your music

Copywriting is simply the act of writing an ad copy. A copy can either be short-form or long-form. Short-form copywriting aims to convert listeners or create awareness using a minimal number of words. The word count for a short form copy can range from 5 words to 1000 words. Examples of a short form copy include captions, brand names, product names, direct mails, CTAs, Banner ads, PPC ads, magazine ads, etc.

On the flip side, a long-form copy utilizes more than one thousand words. However, the ultimate aim is to convert listeners just like its short-form alternative. Examples of long-form copy include website copies, eBooks, guides, white papers, lengthy articles, and many more.

Every industry has its unique ways of getting the attention of its targeted audiences. For example, the way a doctor would write a copy is different from how an artist would write a copy. In addition, some professions require a certain level of formality while others use informal words like ‘lol’, YKTV’, ‘LMAO’.

Also, the demographics you are targeting will determine the words and phrases you can use or not use.​For instance, when LGBTQ singers want to target their community, they use gender pronouns more.

Generally speaking, there is no one-size-fits-all rule for copywriting. You have to first understand your audience. Determine your aim, and make your rules along the way. When writing to a specific audience, you must consider their age range, sex, race, and interests. You cannot afford to use a slight misnomer, as such mistakes can ruin your brand.

How to write an ad copy like a professional

When promoting your new release, understand that your goal is to sell an experience. The choice of words you use, the slang/slogan you chant, and the story you tell must be in sync with the music. If you use trap terms to promote a soul track, the trap fans would angrily leave your Spotify page or dislike your music on YouTube.

Research

The first thing you ought to do before writing your copy is to research. You can use platforms such as Reddit, Facebook, or YouTube to see what copies are working and those that have failed.

Facebook ads work well because it allows artists to target potential fans where they are gathered, meaning you can target music-related groups and fan pages of other artists. Before targeting them, check those groups to know what the trendy conversation there is. Note their likes, dislikes, and different cultures.

You can do this by searching for a specific genre or popular musician fan groups. You don’t want to duplicate another artist’s copy as they can take down your ad. Searching for the most successful captions can give you an idea of what works and what doesn’t.

For instance, if I wanted to write a copy for a new Afrobeats track, I would search for keywords like Afrobeats, Wizkid, or Burna Boy on YouTube. The second and third keywords are names of popular Afrobeats artists. For your genre, you can use the names of popular artists.

When you search for the keyword on Facebook, you will be shown the popular groups, pages, people, images, videos, forums, events, related searches, and infinite posts on that particular genre.

Define the essence of your copy

Whether you want to trigger your audience to comment, like, follow/subscribe to your social media channel, or you want to tell a story about our upcoming release – setting a goal for your campaign will help you boil the copy ideas down to the slogans and sentences that matter the most.

Use powerful headlines

Your copy headline is the title of your copy. Frequently, it is the first thing people see before proceeding to read your copy. The headline can be designed with your art cover (the picture or video accompanying your copy) Many people would forget the message of your campaign. However, if your headline is good enough, it will stick around for a long time. For example, we all remember Nike’s “Just do it” campaign, but many have forgotten the campaign’s details.

Paint an interesting picture

A good copy seeks to engage and paint a picture. Copywriting is like poetry because the two fields require telling a story with the briefest words possible. The only difference is that copywriting aims to sell an idea without the use of ornate language. As a copywriter, you must use simple words, not complex terms.

When writing your copy, opt for words that stimulate a gut feeling or a visual image. Also, ensure the first sentence of the copy makes the readers curious to read more. In line with the impeccable advice of a legendary copywriter, Joe Sugarman, “the main purpose of the first sentence is to get you to read the second sentence.

Structure your copy using the AIDA model

The AIDA is an acronym for attention, interests, desire, and action. A good copy must;

  • Make the reader of the genre, song, or artist.
  • Incite the consumer’s interest in the music using stories they can relate to or mirroring their lifestyle.
  • Seek to bank on the consumer’s desires. To know their desires, you need to be an excellent researcher.
  • Propel the consumer to act.

Use CTA at the end of the copy

People love to be told what to do. When someone enjoys your 30 seconds music snippet on Facebook, you would expect them to automatically like or save the song on Spotify, but the reality is that they won’t do so if you don’t tell them what to do. If you want them to listen to your new song, use captions such as “listen on Spotify now, check out my new release on Spotify” or “join the release party on Spotify.”

If you want the audience to comment, you can tell them to drop a fire emoji in the comment section if they love the snippet. You can also ask the listeners for ideas since everyone wants to be heard.

Keep Rewriting

No matter how ridiculous your first idea is, pen it down. Then, keep rewriting. Don’t be fooled into thinking professional copywriters get it right at the first trial. Your first thoughts are like unrefined gold; the more you refine it, the more it sparkles. According to David Ogilvy, a British advertising tycoon, I am a lousy copywriter, but I’m a good editor. So I go to work on my own draft. After four or five changes, it looks good enough to show the client.”

How to turn a potential listener into a fan

How to turn a potential listener into a fan

Stop wasting your money on ads that won’t convert. Learn how to reduce your Facebook ad costs and maximize the impact of your campaign in no time.

The first thing you must realize as an artist is that nothing is stopping your targeted audience from zapping past your audio commercial on Spotify Marquee or scrolling past your Facebook ad. They have the remote control and they can choose to ignore you regardless of how many times your ad appears on their screen. That’s heartbreaking but it’s the truth.

A reliable fanbase is a reward you get for doing not just one thing but a lot of things right. In this guide, we will teach you how to drive your streams up to the maximum using the “heating” process explained in this guide. Interested? We thought as much.

Guess whose attention span sits beside that of a Goldfish

Your potential audience – you heard that right!

While the comparison of a human attention span to that of a Goldfish (which is 9 seconds) is a truthful lie (an unverified assumption); one open secret we cannot deny is that our attention span has decreased spontaneously since the internet was made public in 1993.

In line with the beliefs of Neil Postman, a renowned American educator, modern technology is successfully taking the human attention span to its nadir.

Also, Seth Godin rightly stated in the Nordic Business Forum, “We have branded ourselves to death”, thereby giving our audience no choice but to turn a deaf ear to our ads. Hence, the average artist must “warm-up” their cold audience before they can get the opportunity to sell merch, ask for users’ data, or ask for a Spotify follow.

What are Cold Audiences?

A cold audience is simply an infinite group of social media users who have not heard of your brand before online or offline. A CNN news consumer who has seen your infomercial on TV is not regarded as a member of the cold audience. A driver who has seen your Billboard ad is not considered part of the cold audience. Do you know what a cold audience looks like? Regular students in India who have not listened to your trap track before and don’t know if your brand exists.

Some blogs will limit the definition of a cold audience to online users who have an interest in a certain genre. However, we live on an all-inclusive sonic planet where most songs fit into multiple genres and many artists are still trying to find their unique sounds. To limit their potential audience(s) to a certain interest/genre is to shut out the vast potential fans out there. For the sake of this guide, we’ll like to keep the hope of finding new listeners alive.

What are Warm Audiences?

A warm audience is a category of internet users who are familiar with your brand to an extent. These are people who have read a blog article about your brand, watched your YouTube video before, followed you on social media, or engaged with your content online.

On a scale of 1 to 10, the warmth of an audience varies, where 1 is mildly warm and 10 is very hot.

How to warm up cold audiences

Like we mentioned earlier, artists need to educate their targeted audience about their brands before trying to convert them to fans. Facebook (or Meta, LOL) gives artists the opportunity to specify their audience based on specific interests, so as to help them find users who are more likely to enjoy their sound. Follow the steps below to warm up cold audiences;

  • Put your best foot forward by creating a static/moving video that features the most memorable/melodic part of your song.
  • Ensure that the art cover (if it is a static video) or your background (if it is a freestyle video) tells a story and puts the listener in a unique mood. For instance, a freestyle video at the beach is very suitable for an acoustic guitar song.
  • Write a short caption that gives the viewer a sneak peek at your brand. And don’t forget to be personal when composing your introduction.
  • Give them a good reason to follow you for more without sounding desperate.

When heating up the cold audience, do not try to get them off the social media platform. Your first goal is to get their attention and turn it into brand affection.

How to keep engaging the warm audience

Like the cold audience, the warm audience needs to be sustained with great content to prevent them from growing cold. You have to create a content calendar and ensure you keep adding value to your established audience.

Don’t bombard them with sales posts about your merch or live shows. Entertain first before asking them for a favor and when you try to sell them something, don’t overdo it.

How TikTok is becoming a Music Streaming Giant

How TikTok is becoming a Music Streaming Giant

Don’t miss the opportunity of going viral using the tools and platforms created by TikTok to make it easier for indie artists to connect with music fans.

TikTok announced on Music Business Worldwide that they will be launching a beta program (known as SoundOn) that will help upcoming artists move from phase A to B in their music careers. The major problem with attaining exposure on TikTok is that its audience is so vast that artists find it challenging to define their fanbase, sell merch, and hold concerts in physical locations. A good example is Coi Leray, a female artist who is struggling to garner loyal fans among the hip-hop communities despite releasing successful singles and collaborating with established rappers like Lil Durk, Gunna, Wale, and EARTHGANG. With the SoundOn platform, TikTok hopes to bridge the gap between its online platform and the world stage.

Also, they are working with UnitedMasters, an American music distribution service, to help indie artists distribute their music to all music platforms directly from the TikTok app. UnitedMasters is home to popular artists like Lil Tecca, NLE Choppa, Lil XXEL, Tobe Nwigwe.

TikTok hopes to grow its commercial music library as a result of the UnitedMasters deal. TikTok’s commercial music library is a collection of pre-cleared and royalty-free songs approved by the owners (upcoming artists and established music houses).

The short-video sharing app doubles as a social networking platform fast becoming a music streaming giant. Unlike other audio-streaming platforms such as Spotify, Apple Music, or Deezer, TikTok has over 1 billion users across planet earth. Gone are the days when TikTok was dubbed the kids’ app; nowadays you can now find users of all ages on the platform. According to Wallaroo, 26% of the 80 million US users on TikTok are within the age range of 25-44 while 80% are between the ages 16-24. TikTok is a digital village consisting of all types of people from diverse backgrounds, age groups, belief systems, or gender. 

Engagement Not Consumption

TikTok pays artists per engagement, not per stream, meaning artists get paid when their music is used to create video content on the platform. Therefore, the amount of views generated by the video content has no impact on the royalty payout. Also, the amount received per engagement is determined by the market share as opposed to the standard metric view system used by Apple and Spotify.

Most artists are generally interested in the TikTok model since it can give their music more exposure. In an interview with Genius, Xeno Carr (a member of the iLOVEFRIDAYS duo) said the exposure TikTok offers on their future projects is far more valuable than the royalty payout they would have gotten from the usual pay-per-stream model.

Where Social networking Intercepts ShowBiz

Although upcoming artists in the music industry can afford to trade music royalties for viral exposure, established artists who will get heard with or without TikTok prefer to get paid by their distributors. Aside from the money obtained from the distribution deal with Tiktok, another possible way of making money on TikTok is by monetizing live streaming. While the idea of paid live streaming is still in its baby phase, it is a promising one.

When artists plan to hold live-streamed concerts, they don’t have to pay for a physical space, plus they can also make tickets very affordable for fans. The reason artists charge $200 – $5000 for concerts is because it is expensive to rent stadiums and halls for shows.

While TikTok has yet to monetize its live streaming platform, it plans to do so after attaining an impeccable user experience. Artists like Ed Sheeran, Justin Beiber, and J Balvin have held separate shows using the TikTok Livestream platform and gained huge success. For example, the J Balvin live stream has about 4.5 million unique views. Finally, the artists in the future can tour with ease and earn more money using the Livestream platform. 

Why is my track getting skipped on Spotify?

Why is my track getting skipped on Spotify?

You were wondering why listeners are skipping your music on Spotify? This guide will teach you how to reduce your Spotify skip rate and amass massive Spotify streams.

For Spotify listeners to skip your track, it means you have done a great job in getting your music out there. However, you would need more than just exposure to build a reliable fan base; you will need to push your music to the perfect audience.

There are two reasons Spotify listeners are skipping your songs viz.

  • You are marketing your music to the wrong audience.
  • Your music needs better creative input.

The term ‘wrong audience’ can mean followers of a Spotify playlist who don’t care about your genre. Still, somehow your music got playlisted on the playlist or listeners from a particular region (let’s say France) who discovered your song (originally written in Portuguese) with the aid of a ‘misinformed’ Spotify algorithm. Either way, it’s never a good thing to be discovered by Spotify users who cannot relate to your music.

On the other end of the spectrum, if your song is getting skipped because it is not good enough, you may need to up your game as first impressions last longer. A disappointed listener might not give your music another chance in the future.

What is Spotify Skip Rate?

Spotify ‘skips rate’ or ‘skips count’ is a metric that indicates the number of times a user skipped a song on a playlist. The user must have listened to the track for more than 30 seconds for a listener’s stream to count. When a listener gets off a track within the first 30 seconds, Spotify counts the action as a skip.

Daniel Breitholtz, Spotify’s Nordic head of shows and Editorial, confirms that editors at Spotify consider the skip rate while shopping for new music. However, he stated that this metric is one of many factors and should not blow it out of proportion. In line with Daniel’s revelation in the Music Ally interview, the most potent factor is the Spotify save rate.

How to check my Spotify skip rate

The Spotify skip rate is only visible to Spotify playlist editors. The tool used is said to be burdensome and not available to the general public. The Spotify for artist site provides real-time data such as the number of streams, top cities, top countries, listener’s age, and source of streams; however, the skip count section is missing.

How to reduce my Spotify skip rate 

According to a renowned music blogger, yclept Paul Lamere, a 24.14 percent probability that a Spotify listener would skip a song in the first five seconds. His report suggests that the likelihood of skipping a track on Spotify in the initial 10 seconds, 30 seconds, and at the ending part of a track are 28.97%, 35.05%, and 48.6%, respectively. This study infers that you have just 5 seconds to impress your listeners. A good rule of thumb for impressing your early listener is to start your track with the chorus or the catchiest part of the track. That way, you can create a great first impression.

For experimental artists in their approach to making music, the Spotify study is not just scary but also discouraging. If you knew your song would get skipped by new listeners for not following the conventional way of arranging music, you might feel tempted to follow the crowd. It is important to state that Lamere’s finding is only true for singles as listeners tend to be more patient when listening to albums. When releasing singles independently, you may not want to go against the grain except if you have a huge fanbase or trust your gut.

Reduce your Spotify skip rate and increase your track’s replay value by following the three steps below.

Only use playlists in your niche

Adding a rap song to a rock and roll playlist will get the track skipped. People tune into different playlists based on their moods. For example, there are playlists created exclusively for working out, meditating, working, and partying. Playlist listeners punish misplaced tracks by skipping them. Do not pay to put your song on a Spotify playlist that aligns with your music genre or mood.

Help the algorithm define your potential audience

Nothing is perfect, and the Spotify algorithm is not an exception. In a bid to get your track out there, the algorithm can expose your track to uninterested ears that might skip it as soon as it starts playing. However, using collaborative filtering and natural language processing, the algorithm tries to understand each track and push it to the best audience.

The algorithm uses its natural language processing to shop for information about a track on search engines, articles, and blogs. That way, the Spotify algorithm can know more about the track. Also, the information you provide Spotify when pitching your song can help the algorithm decide what audience would love your music.

You can assist the Spotify algorithm by making press releases and updating your social media pages/personal website with information about the track before the release date.

Know what listeners want

The most successful artists in every genre know what their audiences want and deliver at the appropriate time. Rap fans want hard-hitting bars, while afrobeat fans love danceable beats. If you do not know what your fans and potential fans want, there is no way you can grow a dedicated fanbase. Streams from a loyal fanbase can mitigate the effect of skip counts from few uninterested Spotify users.

Can Spotify Become the Next Live Nation?

Can Spotify Become the Next Live Nation?

Spotify is well-positioned to become an event promotion giant. The freemium audio streaming platform is leaning towards complementing its low royalty payout model that has been heavily criticized by established artists, including Taylor Swift and Thom Yorke. Both artists refused the Spotify platform’s model by the temporal withdrawal of their music.

To up its pay model without increasing its current monthly subscription fee is an arduous task. Another approach is to become an utterly premium streaming service, but such a move will deprive the Swedish streaming service of its over 190 million free subscribers.

One brilliant move that will most likely increase its revenue is to enter into event ticketing for virtual and live shows. As claimed in a recent report by The Information, Spotify is planning to venture into selling tickets to events through their heavily-visited platform. It is not the first time Spotify would dabble into concert tickets promotion. For example, Spotify announced a series of virtual concerts featuring Rag’n’Bone Man, Leon Bridges, Bleachers’ Jack Antonoff, and Girl in Red in response to the complete absence of live events caused by the 2020 Covid pandemic.

The Spotify virtual concert was a product of the partnership between Spotify and Driift, an immersive live streaming platform. This move could be Spotify’s way of testing the waters in preparation for a more significant move: to take over the event ticketing business as they did with podcasting.

Spotify is now a major contender in the podcasting space despite its late arrival into the industry. Apple saw the potentials of podcasting way back in 2005, while Spotify gave its users access to podcasting in 2018. In 2021, Spotify emerged as the winner in terms of podcast monthly listeners. Spotify has 28.2 million monthly listeners, and Apple has 28 million monthly listeners. Spotify has achieved this almost impossible feat despite arriving late, and the same could happen with event ticketing.

Unlike streaming, events offer a higher payout. From 2015 to 2019, the average music concert ticket price increased from $78 to $96.17 per person. The current Rolling Loud three-day concerts cost $541 (regular ticket) and $1,344 (VIP ticket). Suppose Spotify can help artists headline events in the regions where they are popular (according to their monthly listeners’ stat). In that case, the relationship between Spotify and artists could get better.

In line with the report mentioned earlier, Spotify is not interested in displacing or, at the very least, locking heads with established events companies like Live Nation Entertainment.

Instead, they intend to work with these events companies using their consumer data as leverage. We have heard this song before; Spotify, in a bid to prevent labels from pulling their artists’ songs from its site, publicly acknowledged that they do not intend to replace the labels.

However, in 2018, Billboard reported that Spotify has allowed artists to upload their songs directly on the platform in exchange for Artists’ advances. Although labels perform more functions than licensing music, the intent to bypass the labels makes Spotify a direct threat to them. We can witness the same plot with the events business.

The Information report caused Live Nation Entertainment stocks to dip by 0.9%. It is not clear whether Spotify will try to displace the current events juggernauts in the future, but it’s not impossible.

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